In the 50 years since equal rights for women were enshrined in UK law, the campaigners have been reduced to caricatures, or forgotten. But their struggle is worth remembering

Celia Brayfield was at her desk in the Femail section of the Daily Mail’s Fleet Street office when an editor called her over. It was July and Wimbledon had started. “He said: ‘We want you to go down and get into the women’s changing rooms and report on lesbian behaviour.’ One didn’t normally swear at that time but I declined. That was the attitude then,” she told me.

From the late 1960s until the early 70s, Brayfield was one of a small group of female journalists working on women’s pages in newspapers. “We were dealing with everyday sexism on an unbelievable scale,” she said. “You learned to wear trousers or take the lift because if you took the stairs someone would try to look up your skirt. But then you couldn’t go to a lot of press conference venues in trousers. In the Savoy, for example, women in trousers weren’t allowed.”

Not all of the problems of Britain’s cultural sector come down to funding, but an awful lot do. That’s where leadership comes in

As you listen to a Christmas performance of Handel’s Messiah, it is easy to persuade yourself that all is still well with music and the arts in Britain. I again felt the familiar potency of both Messiah and of music more widely in London’s St Martin’s-in-the-Fields on Tuesday this week. When the musicians and singers launched into the fabulously affirmative final chorus, Worthy is the Lamb, towards which Handel and his librettist Charles Jennens have all along been building, the annual ritual poured forth Messiah’s deep sense of shared security and allayed doubt afresh.

I’ve been going to Messiah at Christmas for decades now, at one venue or another, and the experience never ceases to lift the spirits in this darkest of seasons. This year, though, more disturbing feelings were also in play. The tender balm of Messiah’s opening lines for the tenor – “Comfort ye, comfort ye my people” – has rarely sounded more necessary and consolatory than it did this week. The austere solemnity of the oratorio’s collective reprimand against “the iniquity of us all” felt very contemporary too, especially at the end of such a dismal, demented and dangerous year.

From Hannah Hampton to Lando Norris, our experts give their view on why each nominee is a worthy winner

No sporting event in 2025 gripped England quite like the Lionesses’ Euros success and that euphoria would not have happened without Hannah Hampton’s saves. Long before Hampton dived the correct way to stop two Spain penalties in the final, including one from the world’s best player Aitana Bonmatí, she had produced heroics, without which the team would have flown home disappointingly early.

Panto season is upon us, and for the performers, anything could happen. Actors recall their most excruciating moments – from a panic attack while dressed as a cow, to dripping blood while in flight as Peter Pan

When panto goes wrong, the show must always go on. And there is a lot that could go wrong: malfunctioning pyrotechnics, panic attacks, chafing thighs, broken props, broken bones, bruised egos – and that’s before you get live animals involved. Missed cues and forgotten lines are small potatoes by comparison. So with panto season once again in full swing, we speak to seasoned professionals about the exhausting, error-laden, explosive truth behind the most “magical” season of the year.

Adam Buksh played The Genie in Aladdin at Howden Park Centre, Livingston, West Lothian, in 2013
It was halfway through the show when Aladdin got trapped in the cave. Our version was based on the original story, One Thousand and One Nights (not Disney’s), in which Aladdin possesses two magical entities: a powerful Genie of the Lamp (me) and Scheherazade, Genie of the Ring. I was on stage with Aladdin and Scheherazade, using my magic to smash the ring and break the evil sorcerer’s curse. For dramatic purposes, we used a handheld pyrotechnic which was similar to a little lighter with a wheel flint, but made of metal. I would use it to break the ring and free Aladdin from the cave.

The molluscs are decimating food chains in Switzerland, have devastated the Great Lakes in the US, and this week were spotted in Northern Ireland for the first time

Like cholesterol clogging up an artery, it took just a couple of years for the quagga mussels to infiltrate the 5km (3-mile) highway of pipes under the Swiss Federal Technology Institute of Lausanne (EPFL). By the time anyone realised what was going on, it was too late. The power of some heat exchangers had dropped by a third, blocked with ground-up shells.

The air conditioning faltered, and buildings that should have been less than 24C in the summer heat couldn’t get below 26 to 27C. The invasive mollusc had infiltrated pipes that suck cold water from a depth of 75 metres (250ft) in Lake Geneva to cool buildings. “It’s an open invasion,” says Mathurin Dupanier, utilities operations manager at EPFL.

Mathurin Dupanier indicates the water cooling systems that were blocked by the invasive quagga mussels. Photographs: Phoebe Weston/the Guardian; École Polytechnique Fédérale de Lausanne

As his 1981 film is rereleased, the director talks about his Oscar-winning fable about an actor’s Faustian pact with the Nazi party – and its new relevance

At the 54th Academy Awards, in 1982, Chariots of Fire was imperial, and Katharine Hepburn broke records. Less remembered today is a darkly brilliant European film about a stage actor in Nazi Germany that went home from the ceremony with the best international feature prize. Mephisto, directed by István Szabó, was the first ever Hungarian film to do so.

“The moment took me by surprise,” remembers Szabó, 87, four decades later. “I didn’t expect it.” Visibly elated on the live broadcast as he took to the stage, Szabó today says that he “knew this award wasn’t just mine, but also Brandauer’s”, meaning the film’s electrifying lead actor, and the largely Hungarian crew “who contributed with their talent to the making of the film”.

Keir Starmer, announcing new strategy, says ‘toxic ideas are taking hold early and going unchallenged’

• I want my sons to know masculinity can be kind – and my daughter to live without fear

Children as young as 11 who demonstrate misogynistic behaviour will be taught the difference between pornography and real relationships, as part of a multimillion-pound investment to tackle misogyny in England’s schools, the Guardian understands.

On the eve of the government publishing its long-awaited strategy to halve violence against women and girls (VAWG) in a decade, David Lammy told the Guardian that the battle “begins with how we raise our boys”, adding that toxic masculinity and keeping girls and women safe were “bound together”.

Preventing young men being harmed by “manosphere” influencers such as Andrew Tate.

Stopping abusers in England and Wales through measures such as dedicated rape and sexual offences teams and enforceable domestic abuse protection orders.

£550m of funding to support victims.

Pressure is growing on member states to back a €90bn loan for Kyiv ahead of a Brussels summit

European leaders are being urged to decide whether to use Russia’s frozen assets to fund Ukraine’s defence at a time of unprecedented pressure from the US.

At a critical summit in Brussels on Thursday, EU leaders will be asked to make good on a promise to find urgently needed cash for Ukraine, with Kyiv under pressure to cede territory as Russia ekes out advances on the battlefield.

Exclusive: Lawsuit is the first UK case of its kind, with Ros and Mark Dowey accusing Meta of ‘putting profit before our young people’

The parents of a 16-year-old who took his own life after he fell victim to a sextortion gang on Instagram are suing Meta for the alleged wrongful death of their son, in the first UK case of its kind.

Murray Dowey died in December 2023 at his family home in Dunblane, after being tricked into sending intimate pictures to an Instagram contact. He thought it was a girl his own age, but it turned out to be overseas criminals involved in financially motivated sexual extortion.

Exclusive: UK government’s ‘naive belief’ that Trump is a good faith actor ‘could cost UK taxpayer billions’, says health select committee chair

Ministers and senior MPs have warned that the UK’s agreements with Donald Trump are “built on sand” after the Guardian established that the deal to avoid drug tariffs has no underlying text beyond limited headline terms.

The “milestone” US-UK deal announced this month on pharmaceuticals, which will mean the NHS pays more for medicines in exchange for a promise of zero tariffs on the industry, still lacks a legal footing beyond top lines contained in two government press releases.