The children’s author answers questions from readers, friends and writers on losing his son Eddie, surviving Covid, who he’d invite to his perfect birthday dinner and where he goes for inspiration

Whether you know him from reading his classic picture book We’re Going on A Bear Hunt as a child, from his viral YouTube videos or his tireless support for children’s literacy and the NHS, Michael Rosen has been a household name in the UK for decades. As he turns 80, we gave his peers and Guardian readers the opportunity to put to him the questions they’ve always wanted to ask.

Which do you prefer, asking or answering questions? Roger McGough, poet
Probably asking. I always worry if I’m answering questions I’m being boring. It feels quite exciting if you ask questions. And, as Roger knows, the moment you pick up a pen and start to write, you’re actually asking questions. You’re saying: “What’s the next word? What’s the next phrase? Why am I writing in this shape? Why am I writing in this tone of voice?”

Social workers in England say they often have no choice but to place children in unregistered settings because no one else will take them

The sinking feeling is familiar now, says Anna*. It’s Friday, the clock is ticking, and there is a vulnerable child in her care for whom – despite hitting the phones for days – she cannot find a place. Once the foster carers have been exhausted, and the registered private children’s homes begged, there is nothing for it but to look elsewhere.

“It always seems to be on a Friday that you are struggling to place a child,” says the social worker. “They need somewhere safe tonight. You’re calling everywhere, already knowing the answer will be, ‘we haven’t got any spaces’. And then you’re left with what’s left of a hotel, a caravan … somewhere you know isn’t right, but you don’t have a choice.”

Commentators have said that the US president’s clownishness and lack of ideology somehow make him less dangerous. They’re wrong

Over the past few weeks, a random kaleidoscope of images has been flashing through my head. Some are characters from movies not seen since childhood. Others are snippets from literature or iconic art. What joins them all is an exaggerated, almost kitschy evil.

These images seem to be standing in for the real carnage my brain is trying to process: the bodies pulled from the rubble in Gaza, a school full of young pupils blown apart in Iran. The more than 1 million people in southern Lebanon expelled en masse from their homes. (Alex in the film of A Clockwork Orange appears, eyes clamped open as liquid is dripped into them, unable to blink away what is scorching his vision.)

Nesrine Malik is a Guardian columnist

Like Romeo and Juliet meets a gangster thriller, Charlotte Regan’s series is sumptuously shot with an incredible payoff – plus the most visually stunning scene of self-pleasure you will ever see

Shannon is 22. Her dad is a fearsome gangster. Her mum is an uncanny amalgamation of a Stepford and mob wife. Her brother’s a computer nerd; her gran is a hard-as-nails nymphomaniac. Shannon doesn’t have a job, hobbies or much of a social life. Instead, she hangs round her parents’ house, set amid swathes of brown scrubland on the outskirts of an anonymous Scottish town, waiting to fall in love. Mint begins on the day she does – at first sight, no less – across the tracks of a deserted train station.

Sparks fly, literally as well as figuratively. Having made her name with Scrapper – a funny, poignant and delightfully creative film about a grieving girl reunited with her estranged father – 31-year-old writer-director Charlotte Regan’s first proper TV project is patently the work of an auteur. A patchwork of VHS-style footage, surreal daydream sequences, gorgeously odd framing and special effects that stay on the right side of YA kookiness, Mint might be the most outrageously beautiful television show since Twin Peaks. I’ve certainly never witnessed a more visually stunning masturbation scene than the one in the opening episode. As Emma Laird’s Shannon fantasises about Arran, her new paramour, the lights of the surrounding suburbs flicker violently before sparks from industrial machinery arc across the screen and armed police jog silently into her family home.

Dazzling performer, brilliant writer, maddening perfectionist, Easter Egg hunt maestro … on the 10th anniversary of Wood’s death, those who knew her best celebrate the shy introvert who redefined comedy

Duncan Preston

The director liked to create tension on-set to draw out stronger performances. But have stories about his psychological tricks been inflated in the retelling?

In 1978, shortly after publishing The Art of Alfred Hitchcock, biographer Donald Spoto met the director one last time. At one point, Hitchcock appeared to fall asleep mid-conversation, signalling the end of his involvement with the author. On another occasion, Spoto recalled being bitten by Hitchcock’s West Highland terrier, Sarah, leaving a bruise on his hand. When Hitchcock admonished the dog, Spoto noted it was the first time in four years the director had addressed him by name.

These accounts have surfaced in an unearthed transcript of a previously forgotten interview between Spoto and the actor Tippi Hedren in 1980, six months after Hitchcock’s death. But they also suggest something else: an uneasy relationship from the outset, shaped by misreading, distrust and a degree of personal grievance.

Prime minister to deliver high-stakes statement to MPs over vetting controversy that has put his position in peril

Keir Starmer will deliver a high-stakes statement to MPs on Monday as he struggles to overcome fears inside his government that the Peter Mandelson vetting scandal could yet cost him his leadership.

In what is set to be a dramatic showdown, the prime minister will set out how Mandelson was able to take up his role as UK ambassador without the Foreign Office revealing it had overruled the decision to fail his vetting.

Trump says cargo ship tried to get past US naval blockade near strait of Hormuz ‘and it did not go well for them’

• Middle East crisis – live updates

The US military took custody of an Iranian-flagged container ship that attempted to get past an American blockade near the strait of Hormuz, Donald Trump announced on Sunday, leading Tehran to accuse him of violating the fragile ceasefire between the countries.

In a social media post, Trump said that an “Iranian-flagged cargo ship named TOUSKA” tried to get past the US naval blockade, “and it did not go well for them”.

Twin reports from top accounting firms underline scale of economic threat as Iran war shatters business confidence

A quarter of a million people could lose their jobs by the middle of next year as Britain “flirts with recession”, analysis suggests, after business confidence was shattered by the US-Israel war on Iran.

As the chancellor, Rachel Reeves, summoned bank chiefs for talks aimed at containing the fallout, twin reports from top accounting firms underlined the scale of the economic threat facing the UK.

Vulnerable children placed in caravans, Airbnbs and holiday camps, with children’s commissioner saying practice must stop

Ministers must get to grips with the “national scandal” of England’s shadow child social care system, the children’s commissioner has warned, as a shocking new report reveals the number of children in unregulated settings has increased by more than 370% in five years.

Some of the most vulnerable children in England are being temporarily placed in unregulated caravans, Airbnbs and holiday camps, which risk the “accumulation of increasing levels of harm for children who have already faced enough distress for several lifetimes”, according to a new report.