Not every great novel makes a great movie, and sometimes the opposite is true. But regardless of the source text, or how beloved characters are treated, there is more than one way to write a successful adaptation

It is always fun to join in a craze, like a Victorian going mad for penny farthings. Which is probably why, against my better judgment, I went to see Christopher Nolan’s blockbuster The Odyssey this summer, buying my ticket into the popular conversation along with everyone else. This year’s other divisive adaptation, Emerald Fennell’s Wuthering Heights, had the world and his wife arguing about it before they had even watched the film. No doubt the makers of the recent Sense and Sensibility movie were also hoping for lots of people to go and see it to discover whether they hated it.

After all, very few of us leave the cinema saying: “That’s exactly how I pictured it in my head.” Or even less likely: “That was better than the book.” We’re more likely to shake our fists at how they ruined the ending, dumbed it down, unforgivably cast somebody with the wrong hair, or betrayed a beloved character, as with last year’s Thursday Murder Club debacle.

With support for far right politics well established across Europe, how might upcoming elections shape its future? Europe correspondents Jon Henley and Ashifa Kassam answered Reddit users’ questions about their reporting from the continent

Support for far-right parties has been growing across Europe, with radical right, populist parties in coalition governments in Croatia, Czechia, Italy and Finland, and leading in the polls in Austria, Belgium, France and Germany.

The Guardian reported this year that nearly a quarter of voters in Europe voted for far-right parties in their most recent national elections, a fivefold increase since 1995.

The old certainties have gone. We will have to spend whatever it takes to protect ourselves in this new and dangerous world

Donald Trump must find it oddly frustrating. He keeps showing the world exactly who he is, and yet the world keeps refusing to believe it. As clearly as he can, he is announcing that he is not the leader of the free world, that he is not even a reliable member of the democratic west, that he is in fact an ally of its enemies – but the west, including Britain, either doesn’t fully get the message or can’t quite bring itself to draw the obvious conclusion.

Trump had another go this week, finding multiple ways to declare that in the war between Russia and Ukraine, he is no mediator or peace broker but a partner of Vladimir Putin. In fairness to him, the US president had loudly issued that declaration within weeks of his return to the White House when, in February 2025, he delivered an on-camera dressing down of Volodymyr Zelenskyy in the Oval Office, seeking to humiliate the Ukrainian leader by telling him “you don’t have the cards”, even as JD Vance demanded their visitor show gratitude. That should have made Trump’s position sufficiently plain, but in the past few days he has all but put it up in lights.

Jonathan Freedland is a Guardian columnist

US midterms: Trump, war and America’s future
On Thursday, 5 November join Jonathan Freedland, Devika Bhat, Professor Adam Smith in London and David Smith and leading US commentator Tara Setmayer live from the US to discuss the results and their implications for the future of Trump, the US and global politics.
Book tickets here or at guardian.live

Once scrappy post-punk poets, they’re now one of the biggest bands in the world. As they release new album Dopamine Chamber, fans including Kneecap and Shame explain their sensational rise

When Irish rockers Fontaines DC emerged in 2019, they were a bunch of post-punk poets making abrasive guitar music at a time when Dance Monkey, Drake and The Greatest Showman reigned supreme. But today, as their fifth album Dopamine Chamber is released, the quintet are looking towards a 2027 filled with gigs in UK stadiums, US arenas and headline slots at big European festivals – plus rumours of topping Glastonbury’s Pyramid stage. It’s quite a trajectory.

Their rise has been strangely traditional for a time when social media has culture in a chokehold. Ever more ambitious albums, the support of radio and institutions such as the BBC, and a lot of touring have all played parts. Beyond that, “fact is, they’re one of the best bands in the world,” says fellow countryman Mo Chara, one third of Kneecap.

There’s plenty that stands out at Regent’s Park this year, from antidepressant pens and an ibuprofen-dolling robotic arm to Miriam Cahn’s 26 years’ worth of self-portraiture and a 150m-year-old dinosaur skull – still with embedded tooth

• Frieze review – you’ll see more avant garde wonders in the Bake Off tent

The raised platform in the middle of British artist Ella Fleck’s installation vibrates under your feet to the sound of a male voice. He’s whispering sweet nothings, intoning sexual fantasies. It’s all based on third-party agencies that manage OnlyFans accounts, interacting with users, creating fictional relationships that horny guys spend thousands on. It’s a greasy, gross, uncomfortable exploration of sex work on an industrial scale.

An urn cost more than my rent. So I scattered my mother’s ashes at Yosemite from a Ziploc bag, without the federal permit I couldn’t afford to wait for

My mother is in a Ziploc bag on my lap, wedged between a half-eaten bag of trail mix and my purse.

My stomach is queasy from the switchbacks up to Yosemite, where I’ve come to spread her ashes, and I’m having an existential crisis.

Exclusive: Devon and Cornwall police formally apologise to nine women and settle claim without admitting liability

A police force alleged to have promoted and protected male officers despite knowing they were accused of domestic abuse has formally apologised and paid compensation to nine women, the Guardian has learned.

The women allege they were subjected to a range of abuse including rape, assault, threats, harassment and coercive control while in relationships with male officers from Devon and Cornwall police.

Ukrainian president says US limiting access was a ‘dangerous and unpleasant surprise’, amid reports the order came from inside White House

• Europe live – latest updates

Volodymyr Zelenskyy has said the Ukrainian military’s access to the Starlink satellite internet service has not yet been fully restored, as media reports suggested the order to throttle the service had come from within the White House.

Zelenskyy met European leaders on Friday in Brussels, where he asked the EU for another €70bn next year to fund Ukraine’s defence against Russia.

Supporters of planned tax, however, say banks were bailed out by taxpayers during financial crisis and can afford to pay more now

• John Healey poised to raise taxes on banks in budget

The International Monetary Fund has urged John Healey to target savings on pensions and welfare, instead of taxing Britain’s banks at the budget later this month.

Helge Berger, deputy director of the IMF’s European department, was asked about bank taxes after the Guardian revealed Healey plans to tap the sector for additional revenue.

Former head of Foreign Office Olly Robbins applied for judicial review after Keir Starmer dismissed him in April

Olly Robbins, the former head of the Foreign Office sacked by Keir Starmer over his role in vetting Peter Mandelson, has received a six-figure payout from the government over his dismissal.

Robbins had applied to the high court for a judicial review of the prime minister’s decision to remove him as the top civil servant at the Foreign Office after he was dismissed in April.