The world’s largest performing arts festival returns to the Scottish capital for three weeks – and over 4,000 shows – from this weekend. Brian Logan is answering your questions about it now

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Achhca asks: Hi Brian! Reviews at the Fringe seem to have extra weight to them, especially the exact star rating - four stars can go on the poster, three stars may as well be zero. What are your criteria for stars, and is it informed by the knowledge that a 4+ will end up stapled on posters across the city?

And brion asks: Why have you offered so few five star reviews? What is your rubric for a five star score?

Brian: I try to think about star ratings as little as possible. My job, as I see it, is to write something insightful, respectful and hopefully entertaining about a show; and to express all I have to say about that show in words. At a stretch, I recognise the usefulness, to some, of then appending a star rating to that review. But I wish we didn’t have to. It’s reductive and dumb. My own kids ask me after I’ve seen a show ‘what did you give it?’ rather than ‘what did you think of it?’ That makes me sad.

But: let’s not take ourselves too seriously! There was once, reputedly, a critic who never gave three-star reviews because he knew no one would read them. But most shows are three-star shows – i.e. good, enjoyable, competent if unexceptional. I’ll try to err on the side of enthusiasm whenever I can. God knows my own work has received enough two- (and lower) star reviews over the years. I know how depressing that is.

Matter to whom? They matter to me. My experience of art (books, movies, TV, whatever) is so massively enriched and improved by cross-referring it with the experience of reviewers. As soon as I close the last page of a book, I jump online and read what other people have said about it. I love to read what cleverer or better informed or just different minds to my own think about the shows and paintings and songs that I’ve experienced too. I find it weird that anyone might think otherwise.

Whether reviews matter in terms of an artwork’s success or failure (and who gets to define that?!) is less clear. Depends on the show. Depends on the circumstances. At any rate, reviewers are part of an ecology that responds to the art and entertainment that gets put out into the world, and one of the many factors that may influence how those artworks are received, understood and savoured. And the world would be more drab and undistinguished without them. (But then, I would say that…)

This evening service from London to Crewe is hot, sweaty and heaving with people, many having to stand or sit in the gangways

The 5.46pm train from London Euston to Crewe is the low point of Nikhil Patel’s week. “I’ve never gotten a seat. I always stand up even when I get here early,” says the 22-year-old, struggling to keep his balance while the gangway underneath sways from side to side.

Painfully for Patel, who is commuting back and forth to the capital for a computer science internship, it’s the first leg of a three-hour journey home to Walsall. He grabs the back of a chair to remain steady but says he’s just thankful that the train has left on time – and that it’s even on the move at all.

It was framed as a perfect storm because nativists dearly wanted it to be. Looking on, progressives failed to meet the moment too

The live streams are still running, training their cameras on the beach at Ceuta, where nothing is happening. The self-styled citizen journalists are still pounding the streets, capturing their shaky smartphone footage. Zia Yusuf of Reform UK was out there at the weekend, wearing a crisp white shirt and smart tailored trousers, lest anyone confuse him with the other brown people there. The bad brown people.

Why was the migrant incursion at Ceuta, on the Spanish-Moroccan border, such a big story across the world? How did it manage to pique the interest of Donald Trump and Elon Musk, to feature on NBC’s Nightly News, not – shall we say – a programme massively predisposed to spotlighting news stories from continental Africa? What about it so exercised Europe’s heads of government? What made it an irresistible front-page story in the Daily Mail, the Daily Express and the Daily Telegraph?

Fuelled by TikTok and street dance battles, the coupé-décalé offshoot is latest expression of Côte d’Ivoire’s pop culture

The 400-strong crowd, perched on plastic chairs and wooden benches in Abidjan’s Yopougon-Selmer neighbourhood, roared with approval as Sauce Graine twisted and turned on the spot with breathtaking speed and dexterity.

The dancer, named after the Ivorian palm nut delicacy, was competing in a series of street dance battles set to biama, a frenetic offshoot of coupé-décalé, a type of percussive dance music popular across west Africa that originated in Côte d’Ivoire around the turn of the century.

Cycling legend on living with a stage 4 diagnosis, fundraising with Miguel Induráin and why Andy Burnham could be key to his ambition of helping others

Sir Chris Hoy arrives a couple of minutes late and the apologies roll from him. I don’t have a chance to tell the six‑time Olympic sprint cycling champion that waiting an hour for a star interviewee is more common. Hoy is already deep into a story about how he and his wife, Sarra, were walking here when an unknown man stopped him on the street in Glasgow.

The stranger had recently been diagnosed with prostate cancer and he wanted to share what had happened to him and, I suspect, find new strength by talking to a compassionate public figure. Hoy has lived a full life with stage 4 cancer for nearly three years. He has also worked tirelessly to highlight the fact that prostate cancer affects more men in this country than any other cancer while, at the same time, to offer a tangible sense of hope when there is horror for men, and their families, after a terminal diagnosis.

Soon after my first visit to Ukraine four years ago, I began language lessons. It taught me more than I ever expected

Almost as soon as I returned from my first reporting trip to Ukraine, in October 2022, I decided to start Ukrainian lessons. Not as an act of solidarity, exactly, but as a marker that I was committed to returning. I wanted to know some Ukrainian in order to feel less helpless, to edge towards a better understanding of what I was reporting, and to be more courteous to those whom I encountered. And I hoped, in time, to be able to pull myself through a piece of poetry in the original.

I began meeting Olha, my teacher, by weekly video call later that autumn. She was in Ivano-Frankivsk, her home town in the far west of Ukraine, I was in London. With endless patience and humour, she led me by the hand through the unfamiliar letters of her language, those elegant, sensuous shapes of the Cyrillic alphabet.

Country convenes emergency meeting of ministers from Arab and Islamic world, fearing such a move could ‘trigger a religious conflict’

• Middle East crisis live – latest updates

Jordan is convening an emergency meeting of foreign ministers from the Arab and Islamic world over what it says is an “imminent” threat of an Israeli takeover of the most important Muslim site in Jerusalem, with the potential to “trigger a religious conflict”.

The meeting on Wednesday – and the Jordanian warning – follow an escalating pattern of government-backed incursions by Jewish religious extremists on the compound around al-Aqsa mosque and Dome of the Rock, in violation of a status quo treaty overseen by Jordan’s Hashemite monarchy, by which only Muslims can pray at the site.

Probation inspector says ‘clunky’ system needs upgrade and huge increase in staff to monitor offenders effectively

The electronic tagging system that will be relied upon to monitor thousands of offenders released early from prison is failing to alert the authorities of potential breaches of conditions, a watchdog has warned.

Martin Jones, HM inspector of probation in England and Wales, said the current system relied upon hard-pressed police and probation officers looking up individual cases and then deciding whether potential breaches need to be investigated further.

All passengers thought to have been taken to Boulogne after major air and sea rescue operation by France and UK

A dinghy carrying 157 people has capsized after its engine caught fire as it attempted to cross the Channel from France.

The people onboard were rescued from the water after a major air and sea operation was launched using UK border security and French vessels along with an RNLI boat.

• Senior Fifa duo pile pressure on under-fire president

• Wenger reveals he knew nothing about investment plan

Gianni Infantino’s authority was dealt a further blow after his No 2, the Fifa secretary general Mattias Grafström, called the failed World Cup private investment plan a “sad and reproachable series of events”.

In further evidence that senior Fifa personnel continue to distance themselves from Infantino and his botched scheme, Arsène Wenger issued a statement on Tuesday morning saying the project’s withdrawal was “absolutely necessary and beyond question”. The former Arsenal manager is Fifa’s chief of global development and had publicly been silent about the crisis unfolding in world football.