An incident in which an autonomous OpenAI agent hacked a startup either confirms that the end is nigh – or that the product is just amazingly sophisticated

Throughout history, many things have been seen by terrified populaces as a harbinger of doom. A comet. A crow on the battlefield. A solar eclipse. A mutant livestock birth. Yet times move on. In the modern era, the leading harbinger of doom is literally any picture of the OpenAI CEO, Sam Altman, attached to a news story. You know it’s not going to be good, right? You know that by the time you’ve read it, you’ll be begging to go back to the time when the worst thing that could happen to us at the hands of the techlords was just some democracy-subversion, or childhood destruction, usually followed by Mark Zuckerberg putting on a suit and claiming: “We will learn from this.”

Anyway: a lot of pictures of Sam Altman in the news of late. Most recently, this week, one darkened the skies alongside the tale of how an OpenAI autonomous agent went rogue during a supposedly sandboxed/guardrailed test, and hacked a major startup that functions as a repository of coding information. (I’m slightly obsessed with the fact that the startup in question is called Hugging Face, adding weight to my suspicion that some vast, tweely benign emoji is the last face humanity will see before it dies.)

Marina Hyde is a Guardian columnist

Women have half the seats at the top table for the first time, but Oxbridge maintains its grip

Andy Burnham has appointed the first cabinet of his premiership. Much has been made of how key allies of his predecessor, Keir Starmer, have been demoted or sacked, but what is the demographic makeup of the new team of senior ministers, and how does it differ from other governments?

Thanks to gen Z resellers and platforms like Depop, thrifting has lost its subcultural roots - and ballooned into a $350bn business

Vintage boutique owner Janelle Best has been rummaging in thrift shop bins since the 90s. When she started, she says, there was a stigma about it. “It was either you were a freak, or you were poor – and I was a freak.”

At first, she did it to source stage outfits while playing in psych-rock bands. Then, in 2005, she started “casually reselling” on eBay. Ten years later she was trading as Desert Stars Vintage at street markets, and by 2023 she had opened a showroom specializing in upmarket silk dresses in her Williamsburg apartment. Even just a few years ago, she says, she still put in the hours at places like Goodwill. The bins, she says, “were a field day. There were so many fucking bangers.” And then, thrifting became a social media craze, she says, “and the hell gates of high school students flooded in. Twelve people to each bin. Everyone fighting. Suddenly everyone’s a reseller, and instead of these kids intuitively knowing what’s good, they’re on their phones trying to figure out if it’s valuable.”

When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent

Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world.

The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why, because it features kids speaking in slang and getting into scrapes? He nods. “I always say that I don’t read reviews, but of course I’ve read every single one. I can’t help myself. And we’ve been really lucky; the reviews have been amazing. A couple have been middling. Then you read them, and the subtext is: ‘I thought it was going to be like Kidulthood.’”

From being abused by staff and other travellers to being denied access to toilets, flying is an increasingly distressing and frustrating experience for many wheelchair users. Here, they share their stories

When Hannah Babalola boarded KLM flight 598 on 26 May, she was tired. A Paralympic athlete, she had been competing at an event in South Africa’s Cape Town, and was hoping there would be no hold ups on her journey back home to Chicago.

Babalola, 37, is well-travelled. A former wheelchair racer, she now competes in marathons and has flown to dozens of countries over the years without big problems.

(Atlantic)
How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity

After a decade spent trailblazing a unique kind of pop freedom from the genre’s fringes, A-list success seemed like the thing that might finally trap Charli xcx. Her 2024 club-rat opus Brat spawned memes, embarrassing political bandwagoning, Collins’ word of the year and possibly terminal damage to the bra industry. Its ludicrous cultural impact looked set to pickle her as a caricature of a Parliament-toting bad girl; the question of whether “Brat summer” could last – whether Charli could sustain the interest – was so rife she turned it into a mockumentary, The Moment. It made success look miserable: your creation turned cringe by execs wanting to milk their prize cow dry of every last acid-green drop.

Even for a pop star renowned for reinvention, it put a higher price on her next move. Pivot and risk losing new fans and looking wilfully contrarian. When Charli released the sub-two-minute single Rock Music, many heard it as a middle finger. “I think the dancefloor is dead,” she drawls over guitars that buzzed like speakers weathering interference from a Nokia 5110, “so now we’re making rock music.” There were boring thinkpieces about the dancefloor being very much alive, actually (as if Charli had ever ridden culture for clout then binned it off), and about whether she was trying to eject fair-weather new fans. But the key to this cheeky song is surprisingly earnest: “Jump off the stage / I hope they catch you today / But if they don’t it’s OK,” she sings naively, an affirmation to take creative leaps, and to come with Charli – or not, as you like – as she takes this one.

Rudakubana moved to psychiatric hospital after it was concluded he could not be safely managed in prison

The Southport killer Axel Rudakubana has been accused of attempting to “manipulate the system” by the families of his victims, after it emerged he had been transferred from prison to a psychiatric hospital.

Rudakubana, 19, was jailed for life in January last year, with a minimum sentence of 52 years, for the murders of Elsie Dot Stancombe, seven, Bebe King, six, and nine-year-old Alice da Silva Aguiar.

Exclusive: Hampshire police data reveals 22 of 37 detained had been accused or convicted of intimate partner violence

Most people arrested during violent protests after the sentencing of Henry Nowak’s murderer had previously been reported to the police for domestic abuse, the Guardian can disclose.

Data released by Hampshire police under freedom of information laws shows that 22 of 37 people (59%) detained in Southampton after Vickrum Digwa was jailed for life have been reported for crimes associated with intimate partner violence.

PM, on his first day at new base, says it will create ‘that sense of a more balanced country, that big things can be done from here’

Andy Burnham has arrived by police convoy at No 10 North at Heron House in Manchester:

Andy Burnham was probably feeling left out of the “Celtic alliance”, after apparently telling John Swinney that Scottish independence was “off limits”.

French evacuees using hundreds of mobilised boats or the only road linking the area with the mainland as evacuation also ordered in areas near Spanish capital

Over in France, it’s not just the south-west that gets affected, but the country’s south-east regions are also being hard hit, AFP noted.

Dozens of fires flared up and are being fanned by the mistral wind around the historic village of Cotignac – officials saying around 25 houses had been destroyed since Tuesday.